Friday, 28 May 2010

Sea Vapour on South Beach #2, The Hague



Zuiderstrand met zee damp #2, DH
oil on canvas
20 x 140 cm
painted on location - Sat 22 May 2010  -  SOLD

Made directly after I painted 'Sea vapour on S. beach, posted a couple of days ago. This work takes on a whole different aspect, thanks to its format. Giving one a glimpse of the beach that one is confronted with when actually there physically. It is so difficult for me to get a decent picture of this size canvas, thus the two details, serve in this case an important function.



Thursday, 27 May 2010

Invitation to fun and adventure, Wijk Aan Zee


Dagje uit op strand, Wijk Aan Zee
oil on canvas, 60 x 90 cm
painted on location - Monday 24 May 2010
SOLD

It is just past 8am, on a lovely morning this Holiday Monday here in Europe . Slowly people who slept in their beach houses are getting up, a mother takes a walk along the beach with her daughter, once in a while a jogger passes by. I just woke up 45 minutes prior, in a beach house attached to that beachcafe on the left. In the distance a cargo ship, probably making its way to Rotterdam, chatches the morning sunlight on its stern. The flags are being gently caressed by the sea breeze. Everything about this scene is an invitation to the seeker of fun and adventure on this stretch of ground, sea and air along the coastline, here in The Lowlands.



Wednesday, 26 May 2010

Sunny beach scene, North Holland.

"There is nothing ugly; I never saw an ugly thing in my life: for let the form of an object be what it may, – light, shade, and perpective will always make it beautiful." *

Zonnig strandgezicht,Wijk Aan Zee, NH
oil on canvas
40 x 100 cm
painted on location - Monday 24 May 2010
SOLD



This scene you are viewing can certainly testify to that quote from the famous 19th century English landscape painter. 24 hours of ideal sunny weather is slowly coming to a close. In the distance, a darkening sky filled with warm grey vapourous hues, the ceiling covered by scattering patches of clouds, swiftly making there way inland. Yet that ever welcomed celestial blue sky affords this strech of beach with a warm comforting light. Il pittore, as usuall on location, as clearly demonstrated in the snapshot below, synchronously captures the situation at hand. Just two hours later, the whole beach, sea and sky was completely covered in sea vapour, visibility limited to 35 meters. Characterized by high dunes and beach houses, Wijk Aan Zee, is cherished by Amsterdam city dwellers.


"The sky is the source of light in Nature and it governs everything."
*John Constable

Tuesday, 25 May 2010

Sea Vapour on South Beach, The Hague


Zuiderstrand met zee damp
oil on canvas
40 x 50 cm
painted on location - Sat 22 May 2010
SOLD

Here I am back on south beach. Went with the intention of working on a large commission piece, but low and behold, the Sun decided to sleep in until about 4pm that afternoon. Thus as the saying goes, "If they throw lemons at you, make lemon juice", hence, I decided to set up my easel anyway. Am glad I did, cause this and another painting were created on that desolate, yet typical beach scene, here in The Lowlands.

detail of the jogger,

Wednesday, 19 May 2010

Two views of Beach house South, The Hague




Zuidstrandpaviljon, Zuiderstrand, DH
oil on canvas
10 x 15 cm
painted on location - April 2010
SOLD

Two small studies made in preparation for a large commission of this most appeallingly colorfull beach house/cafe on this strech of beach. As you can see, depending on how the light falls on the structure, it takes on varied qualites. It is still early in the season, and thus not too crowded.

Monday, 3 May 2010

"The moving brilliance of the silvery wave"


"De bewegende schittering van de zilveren golf"
oil on canvas
20 x 140 cm
painted on location - Sunday 25 April 2010

SOLD



Back to a theme which inspires me very much these days, The Sea. I'm going to use a quote that speaks most poetically on this subject, by the great French painter, Odilon Redon (1840 - 1916), written July 3rd 1875 (some of you may remember that I already quoted this text back in July 2009);

"You hear it nearby and it attracts you. The sea is here, magnificent, imposing and superb with its obstinate clamor. Imperious and terrible clamor, it makes strange remarks. The voices of the infinite are before you. Nothing of human life.... Here, the immense beach, undefined, of which the edges are mingling with the sea itself, with the day and the light, with the moving brilliance of the silvery wave. Painters, go look at the sea. There you will see the marvels of color and light, the sparkling sky. You will feel the poetry of the sands, the charms of the air, of the imperceptible hue. You will return from there stronger and full of great accents. Poets, go and see this beach. You will have to sing the mystery of infinity. On these shores you will discover intense solitude. Musicians go listen to its harmony. All of you, finally, who are tired of wordly life, all of you who are oppressed by the weight of days, all of you who work unceasingly in the womb of our miseries, all you men of the fields and humble people-go and breathe in the strength and faith of fertile nature, our mother and friend."

Don't know about you, but I get goose bumps on my skin when I read that! And let me tell you, don't I know about those "imperceptible hues" ! The North Sea is loaded with them. Sometimes colors beyond my wildest imagination, confront me and demand of me to formulate hues on my palette that are not even registered in most accepted color charts. Does this challenge me, you bet. But that is precisely why this theme excites the artist in me. And in turn, my only desire is that I may faithfully capture for you, the connoisseur of the fine art of painting, a moment of magic and beauty that takes place on the humble shoreline of the North Sea, here in The Lowlands.

Saturday, 1 May 2010

Path in the dunes, Westduinpark, evening sunlight #2



Pad en de duinen, S'avonds licht #2
oil on canvas board
18 x 24 cm
painted on location - Thurs 22 April 2010



Well, thought it would be appropriate to lead you back to South Beach, The Hague, with this all natural path, which is actually an unofficial passage, enjoyed mostly by dogs and their caretakers. Regognized paths are equipped with uninviting barrbed wire fencing, totally unattractive and dangerous, but functional I suppose. Beyond the blazing wild grasses is the entrance to the harbors at Scheveningen, featuring the renowned lighthouses, and the mast of a returning sailing vessel.

Wednesday, 28 April 2010

Beach Scene # 5, Texel, Holland


Strand gezicht #5, Texel, NL
oil on canvas
50 x 100 cm
painted on location - Sat 10 April 2010

As one can clearly see in this view, the sand is actually raising higher at the horizon line. This is not to common on beach paintings, but as I said on one of the postings from this series, the sand of the beachs here are being sculpted by an invisible hand, due to high swirling winds from the North. The heavy volumonous clouds over the horizon line are just beginning there journey to cover this beach and much of the island, in fact those are the cumulus clouds that I featured on that small painting of the previous posting.

Monday, 26 April 2010

Beach Scenes # 3 & # 4, Texel, Holland


Strand gezicht #3, Texel, NL
oil on canvas 15 x 30 cm
painted on location, - Sat 10 April 2010

This little canvas although rather small in dimension, still manages to afford the viewer an emmense view of a solitary beach. Nature dominates in Il pittores vision, thus I choose to keep the crowds at bay. Those savoury cumulus clouds where casting shadows that literally swept by at a speed comparable to a gutsy BMW travelling on a German autobaan.



Strand gezicht #4, Texel, NL
oil on canvas
60 x 80 cm
painted on location - Friday 9 April 2010

private collection, Dubai, United Arab Emirates

Almost the same view as beach scene #2, this was made on a sunny yet very windy day. Cloud formations were mind boggeling, to say the least. What can I say, that hasn't been said already? Texel is a cool place, if you love nature, then it is really worth a visit. Nice people also, Island folk, somewhat less hurried than us urban dwellers.

Wednesday, 21 April 2010

View of the beach #2, Texel, Holland



Strand gezicht #2 Texel, NL
oil on canvas
60 x 80 cm (thus a fair size)
painted on location - Monday 12 April 2010

SOLD


Texel is known for its vast beaches, which most people here value dearly, as space is a much cherished comoditiy here in this somewhat overcrowded little country of The Lowlands. What I've done here on this canvas, is give ample room for the sky to dominate the composition, thus creating a sense of grandeous space. The clouds were also fun to paint, as they formed into shapes unique to this area.

The colors of the detail shown here below are truer to the original canvas.

Monday, 19 April 2010

Lighthouse, Texel, Holland



Vuurtoren met s'avonds licht, Texel,NL
oil on canvas
40 x 50 cm
painted on location - Friday 9 April 2010

Just behind me and above my left shoulder the Sun was beginning its descent. Thus the colors in the sky and land are bathed in warm hues. The lighthouse absorbs the light in a rather fashionable manner, casting off a remarkable hue of Cadmium red. These Islands are renowned for their lighthouses, I'm sure that the American artist, Edward Hopper (1882-1967), would have delighted in painting them. Just to give you an idea of the size of this building structure, I painted two figures walking up the dune.

Wednesday, 14 April 2010

Beach scene # 1, Texel, Holland



Strand gezicht#1 Texel, NL
oil on canvas
30 x 60 cm
painted on location - Friday 9 April 2010(early morning)

SOLD

The saying goes, "The early bird gets the worm". And beleive you me, there is much truth in that! This light situation only takes place for roughly 3/4 of an hour, after which the contrasts fade away, and a most welcomed blinding light dominate the situation at hand. Texel is the first of a series of islands known for their spectacular Natural habitat, both on and off the land. The cloudy skies are a painters paradise, hardly ever a dull moment, as thanks to the breezy Northernly wind, they are usually on the move. This results in extended hours of direct sunlight, which us less fortunate citizens of The Lowlands, can't get enough of!

Saturday, 3 April 2010

Piazza Navona, Roma


Piazza Navona, Rome
oil on canvas
24 x 30 cm
painted on location - Saturday 20 March 2010

SOLD

It's early in the morning, I'm approaching what is probably the most extravagant and controversial Baroque fountain in the world. With all my gear at hand, ready to paint it,...... what do I find before my eyes? It's under renovation, Oh my God! So what to do next? I take a walk to the north end of the square, and looking back at the fountain behind the barricade, I think to myself, "The hell with it, I'm just gonna paint, the situation at hand". The statues of the fountain are so enormous, the top half are visible anyway. As luck would have it, half way into the painting, the Sun burst through the thick layer of clouds, the whole scene gets transformed into a fascinating display of lights and shadows. Good thing I got there early, by the time I finished the painting, hundreds of passers by were between me and the subject.

Thursday, 1 April 2010

Piazza del Popolo, Roma, by day and by night


Piazza del Popolo (v/d volk), ochtend vroeg
oil on canvas
50 x 40 cm
painted on location - Tuesday 23 March 2010

SOLD

Symmetrically elegant, spacious and vast, the whole area was built as, and still remains-a showpiece. This is the Northern entrance to the Eternal City. For centuries piazza del Popolo was the first glimpse most travellers got of Rome. The obelisk was brought from Egypt by the Emperor Augustus. In 1589 it was moved from Circo Massimo to this location. The piazza was first laid out in the early 16th century, then went through a major facelift in the 19th century by Rome's leading neo-classical architect, Giuseppe Valadier.


Here you have a picture of the same view of the piazza, only taken from a higher point than were I was set up.




Gezicht vanaf Piazza del Popolo, 's avonds
oil on canvas board
30 x 24 cm
painted on location - Sat 20 March 2010

SOLD

Here you have a evening glimpse from the piazza. The painting begins with one of the four lioness fountains featured at the base of the enormous obelisk. The eye is then ushered to the starting point of one of Rome's most elegant shopping streets, Via del Babuino. The terrace of the fancy Cafe Canova, is shown on the left.



A picture of Peter Altena sketching and myself working on the evening painting in Piazza del Popolo.

Monday, 29 March 2010

Fontana delle Tartarughe, Roma


Fontein van de Schildpaden, Roma
oil on canvas board
18 x 24 cm
painted on location - Monday 22 March 2010

SOLD

Four ephebes (adolescent boys) in bronze, cavort around the base of what is unquestionably one of Rome's loveliest fountains. They are gently hoisting four bronze tortoises up to the sparkeling waters above them. This fountain is located in Piazza Mattei, in the Jewish Ghetto quarters of Rome. Built in the 1580s as a wedding present by the Duke of Mattei to his fiancée. Legend has it that it was erected overnight to impress the brides father! The turtles were added many years later by baroque master, Bernini, during a restoration.




A picture of the situation, taken by my colleague, Dimitris. I am set up on the other side behind that lady with a camera.

Friday, 26 March 2010

Fontana del Moro e Campo de' Fiori, Roma


Moor fontein, Piazza Navona
oil on wood
10 x 15 cm (small/klein)
painted on location - Sat 20 March 2010



Campo de'Fiori (blomen)
oil on wood
10 x 15 cm (small/klein)
SOLD


This fountain is located on the southern end of Piazza Navona, a lively place, a place where both locals and tourists like to hang out. Artists gather in the sqaure to paint and there are many entertainers and vendors selling souvenirs. The central figure depicted, is a muscular Triton, riding a dolphin, it was sculpted by Bernini in 1654. I had just finished an oil painting of the overview of the whole plaza. Sit up at the same spot, only looking in the other direction. That painting was bought off the easel by an elegantly dressed elderly couple visiting from Madrid,Spain.
The flower market scene actually has a fountain behind the stalls, but I was much more inspired by this view. We were not having the greatest of weather conditions, thus the overcast sky.
Working on location, with the light changing by the minute, these two pieces maintain there character of an oil sketch. The main advantage of this kind of painting is that it is not overworked, things and objects are suggested rather than shown in elaborate detail.

Thursday, 25 March 2010

Piazza di Spagna, Roma


Piazza di Spagna, Rome
oil on canvas board
24 x 30 cm
painted on location - Sunday 21 March 2010

€ 325



One of the most delightful Piazza's in Rome, featuring the famed Spanish Steps which are located just to the right of this scene. The fountain 'la barcaccia' (old boat), featured in the forground was designed by Gian Lorenzo Bernini in 1627. It is ingeniously sunk below ground level to compensate for the low pressure of the delicious Acqua Vergine that feeds it. In 1870, over 400 painters lived and worked in the area around the Spanish Steps. It also atrracted poets and musicians, in fact just 15 meters from were I set up, can be found the house were John Keats lived and died in 1821, at the tender age of 25. Also just behind the sunlet building, is Via Margutta, which was the focus point of the 1960's art scene, and Federico Fellini lived here until his death in 1993.

Wednesday, 24 March 2010

Trevi Fountain, Rome (by night)


Fontana di Trevi, 's nachts.
oil on canvas board - 24 x 30 cm
painted on location - Sunday 21 March 2010
SOLD

As some of you may already have known, I went on a working vacation to the Eternal City of Rome, with 5 colleagues. We stayed in a comfortable apartment just a stones throw away from, Piazza del Popolo. Centrally located, a great find at an affordable price, when you take into consideration that just around the corner, on Via del Babuino is located Hotel de Russie, renting suites from 1,500-2,700 euro per night! This painting was made amongst a crowd of no less than 550 persons(probably more). All awe struck by the beauty and magnitude of this imposing marble structure, measuring 25.9 meters in hight, and 19.8 meters wide. Inspired by a design from Gian Lorenzo Bernini, the final version, was built by Nicola Salvi, in the 18th century, taking some 30 odd years to complete (1732 - 1762). The central figure, set in the niche, is Oceanus, God of all water, (figure on the extreme right of painting). He is flanked on his right, by the Goddess, Abundance, who is spilling water from an urn. There are a multitude of figures and creatures from both land and sea featured in this extravagant fountain. But what's even more empressive is the thundering sound of water one sees and hears. In fact nothing else, in the stifling heat of a Roman summer, gives such a feeling of sensual delight as the abundant, splashing, cool water. If you don't believe me, ask Anita Ekberg, she made this fountain famous when she plunged in wearing a strapless black evening dress in Federico Fellini's classic La Dolce Vita.

Tuesday, 16 March 2010

View of The North Sea with Scheveningen trawler


Scheveningse sleepnet visser boot op de Noord Zee
oil on canvas
60 x 80 cm
painted on location - Mon 15 March 2010

painted over, thus no longer in existence

The colors were so inspiring at the Sea yesterday morning that I opted for a view of the sky and water rather than a path in the dunes. The result is for you to enjoy. Mind you this situation lasted the better part of 45 minutes, afterwhich the heavens became overcast with clouds to the point were no celestial blue sky was visible. Setting myself up on a spot, in the dunes, risking the chance of getting a fine (boete) from the local authorities, I had this rather brilliant vantage point. That trawler made a good model and was just what I needed to give a reference of location to this scene.


Friday, 12 March 2010

Canal Scene, Scheffersplein, Dordrecht


Winters dag te Dordrecht
oil on canvas
50 x 40 cm
painted on location, Thurs 11 March 2010



I found myself in Dordrecht yesterday, visiting with 3 fellow female artists, one of which was her birthday,(Mieke van Zundert). Revisiting a location I previously painted, I took it upon myself to paint over a work I already made last summer(see small picture bellow), during the art manifestation, 'Place D'Ary'. This time it was freezing cold, with a mild yet brisky wind. I did my upmost to bring this situation across on the canvas. Even though this work is very loose, I am rather content with the result, as afterall this is a painting, not a drawing or illustration. Featured on the lit up square is a statue of Ary Scheffer, a famous 17century painter born here in Dordrecht.

Wednesday, 10 March 2010

Path in the dunes, Westduinpark, Evening Sunlight.


Pad en de duinen, Westduinpark, Den Haag
oil on canvas
18 x 24 cm
oil on canvas - painted Tues. 9 March 2010



Usually I'm out there in the mornings, but as is evident from this scene, the evening light has a brilliance of its own. Causing the dry yellow ochre grasses to flare up, as if about to ignite. The Sun is making its descent, hanging somewhere above the horizon line, literally just behind my left shoulder. The light house depicted, in the not to far off distance, is the openning to the habours at Scheveningen. Not quite fully recovered from a cold I picked up on my last outing, I decided to work on a smaller format.

Saturday, 6 March 2010

Path to the North Sea, Westduinpark #6/2010


Ingang #10 Zuiderstrand, Den Haag
oil on canvas
40 x 60 cm
painted on location - Thursday 4 March 2010

SOLD

This time the dunes are just behind me. I've sit up my easel at the end of the path, as low as possible, due to a bitter cold North East wind, which seems like it could find its way into the smallest of openings, and takes delight in bringing ones warm blood to an uncomfortable chilly state. Although the Sun is in full glory, man is it cold. Featured on this scene is a garbage bin specifically in place for our beloved canine friends, who can fortunately for them, dump a load anywhere the feel like! Thank God for responsible dog owners.

Wednesday, 3 March 2010

Path to the North Sea, Westduinpark #5/2010 or Peace in the Valley


Pad naar de Noord Zee #5/2010 of Vrede in het Vallei
oil on canvas
60 x 80 cm
painted on location - Wed 03 March 2010 SOLD

Just made it on time, before the sky became completely overcast, thus having a dull effect on the scene which, thanks to my memory and swift painting skills, you can enjoy with the effect of a soft yet welcomed sunlight. For some unexplained reason, the words 'peace in the valley', kept repeating in my thoughts, during the making of this work. Couldn't help but to think, "if some guy had malicious thoughts, such as to cause an act of violence, I would imagine that a walk down this path, might indeed have a soothing affect on his state of consciousness. Like the passing of the clouds, so would his negative thoughts go by, and his life would carry on in harmony and peace". Oh well, I know as I struggled with all my gear, to the top of this path, my eyes did behold a most spectacular view, enriching my being with a delightfully pleasurable feeling.


Monday, 1 March 2010

Path to the North Sea, Westduinpark #4/2010


Pad naar de NoordZee #4/2010, Westduinpark, Den Haag
oil on canvas
30 x 90 cm
painted on location - Mon 1st March 2010

SOLD

You know they say a painting is never really finished, it just stops at the right place. That is at times a difficult decision to make. One must learn not to be a prefectionist, one must learn to detach himself from the work in progress, one must be satisfied with dealing in uncertainties. There are many things I take into account before I decide it is time to put my signature on the painting, believe you me. In this case I had to increase the intensity of the light colored dry grass on the extreme right side, in order to achieve a comfortable balance with the dark shadows being casted from the wind swept bushes to the left of the path. And I'm grateful to that feathered creature, who took about a 15 second break on that pole, just enough time to load up the thinest brush I was holding with enough pigment to anchor her in.

Two details for your viewing pleasure.




Saturday, 27 February 2010

Corn bridge by night, Leiden


Koornbrug 's nachts, Leiden
oil on canvas
18 x 24 cm
painted on location, (in the rain) - Thurs 25 Feb 2010


You might have to tilt your screen a little to have a good look at this one! I happened to find a dry spot under another brige that afforded me this spectacular view, at waters level. As I was feeling a little down, just had to get out and make a painting. Dispite the rain and the fact that it was already 7pm in the evening, I decided to head out to a favorite spot in Leiden, hoping to be cheered up, as I had so many fond memories of my recent painting experiences their. I've attached the painting I made in Nov 2007, from the balcony that is visible above the row of lit windows, directly above the rightside of the covered bridge(see above painting). Thus under the right side of the bridge, featured in the bottom painting, is a boardwalk, which allowed me to sit up and make this evening painting!